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		<title>Track 1: Maurice Ravel • Pièce en forme de Habanera (excerpt)</title>
		<link>http://revelmusic.org/2011/08/track-1-maurice-ravel-%e2%80%a2-piece-en-forme-de-habanera-excerpt/</link>
		<comments>http://revelmusic.org/2011/08/track-1-maurice-ravel-%e2%80%a2-piece-en-forme-de-habanera-excerpt/#comments</comments>
		<pubDate>Thu, 25 Aug 2011 20:50:52 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[CD]]></category>

		<guid isPermaLink="false">http://revelmusic.org/blog/?p=490</guid>
		<description><![CDATA[“The rather clinical title belies the piece’s sensual tone world, which evokes a languid, sultry afternoon. A Habanera was originally a dance, and not an altogether reputable one&#8230;” –Joel Becktell, from the REVEL CD Program Notes Photo of Joel and Carla by Nathan Russell. In the farm house at Greengate Farms, Austin, Texas.]]></description>
			<content:encoded><![CDATA[<p>“The rather clinical title belies the piece’s sensual tone world, which evokes a languid, sultry afternoon. A Habanera was originally a dance, and not an altogether reputable one&#8230;” –Joel Becktell, from the REVEL CD Program Notes</p>
<p><em>Photo of Joel and Carla by <a href="http://www.nathanrussellphotography.com" title="Nathan Russell Photography" target="_blank">Nathan Russell</a>. In the farm house at Greengate Farms, Austin, Texas.</em></p>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Track 2: Manuel de Falla/arr. Maréchal • Suite Populaire Espagnole • El paño moruno (excerpt)</title>
		<link>http://revelmusic.org/2011/08/track-2-manuel-de-fallaarr-marechal-%e2%80%a2-suite-populaire-espagnole-%e2%80%a2-el-pano-moruno-excerpt/</link>
		<comments>http://revelmusic.org/2011/08/track-2-manuel-de-fallaarr-marechal-%e2%80%a2-suite-populaire-espagnole-%e2%80%a2-el-pano-moruno-excerpt/#comments</comments>
		<pubDate>Thu, 25 Aug 2011 20:50:15 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[CD]]></category>

		<guid isPermaLink="false">http://revelmusic.org/blog/?p=488</guid>
		<description><![CDATA[“This song is a cautionary tale in the form of an allegory. The title refers to a piece of beautiful and valuable Moorish cloth that is being sold at a discount because it has a stain on it. The inference is about feminine virtue and the fate of any woman who loses hers&#8230;” –Joel Becktell,...]]></description>
			<content:encoded><![CDATA[<p>“This song is a cautionary tale in the form of an allegory. The title refers to a piece of beautiful and valuable Moorish cloth that is being sold at a discount because it has a stain on it. The inference is about feminine virtue and the fate of any woman who loses hers&#8230;” –Joel Becktell, from the REVEL CD Program Notes</p>
<p><em>Photo of “Studio Mike” at Blue Rock.</em></p>
]]></content:encoded>
			<wfw:commentRss>http://revelmusic.org/2011/08/track-2-manuel-de-fallaarr-marechal-%e2%80%a2-suite-populaire-espagnole-%e2%80%a2-el-pano-moruno-excerpt/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Track 3: Manuel de Falla/arr. Maréchal • Suite Populaire Espagnole • Nana (excerpt)</title>
		<link>http://revelmusic.org/2011/08/track-3-manuel-de-fallaarr-marechal-%e2%80%a2-suite-populaire-espagnole-%e2%80%a2-nana-excerpt/</link>
		<comments>http://revelmusic.org/2011/08/track-3-manuel-de-fallaarr-marechal-%e2%80%a2-suite-populaire-espagnole-%e2%80%a2-nana-excerpt/#comments</comments>
		<pubDate>Thu, 25 Aug 2011 20:49:44 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[CD]]></category>

		<guid isPermaLink="false">http://revelmusic.org/blog/?p=486</guid>
		<description><![CDATA[“This is the saddest lullaby I have ever heard. I often wondered why, with a text that consists entirely of the murmured endearments of a mother putting her baby to sleep, it should be tinged by tragedy. The answer appears where so many answers do: in the music&#8230;” –Joel Becktell, from the REVEL CD Program...]]></description>
			<content:encoded><![CDATA[<p>“This is the saddest lullaby I have ever heard. I often wondered why, with a text that consists entirely of the murmured endearments of a mother putting her baby to sleep, it should be tinged by tragedy. The answer appears where so many answers do: in the music&#8230;” –Joel Becktell, from the REVEL CD Program Notes</p>
<p><em>Photo: An atmospheric REVEL moment at The Church House, Austin, Texas.</em></p>
]]></content:encoded>
			<wfw:commentRss>http://revelmusic.org/2011/08/track-3-manuel-de-fallaarr-marechal-%e2%80%a2-suite-populaire-espagnole-%e2%80%a2-nana-excerpt/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Track 4: Manuel de Falla/arr. Maréchal • Suite Populaire Espagnole • Canción (excerpt)</title>
		<link>http://revelmusic.org/2011/08/track-4-manuel-de-fallaarr-marechal-%e2%80%a2-suite-populaire-espagnole-%e2%80%a2-cancion-excerpt/</link>
		<comments>http://revelmusic.org/2011/08/track-4-manuel-de-fallaarr-marechal-%e2%80%a2-suite-populaire-espagnole-%e2%80%a2-cancion-excerpt/#comments</comments>
		<pubDate>Thu, 25 Aug 2011 20:49:14 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[CD]]></category>

		<guid isPermaLink="false">http://revelmusic.org/blog/?p=484</guid>
		<description><![CDATA[“&#8230;The protagonist is in love, but his beloved only flirts with him. She’s not serious about him, and he feels rejected. Without the words, the song depicts her coquetry with barely a hint at pain, aside from an occasional hesitation in the rhythm&#8230;” –Joel Becktell, from the REVEL CD Program Notes Photo: In the kitchen...]]></description>
			<content:encoded><![CDATA[<p>“&#8230;The protagonist is in love, but his beloved only flirts with him. She’s not serious about him, and he feels rejected. Without the words, the song depicts her coquetry with barely a hint at pain, aside from an occasional hesitation in the rhythm&#8230;” –Joel Becktell, from the REVEL CD Program Notes</p>
<p><em>Photo: In the kitchen at Blue Rock. Left to right: Andy Murphy, Bryan McElhaney, Dodee Crockett.</em></p>
]]></content:encoded>
			<wfw:commentRss>http://revelmusic.org/2011/08/track-4-manuel-de-fallaarr-marechal-%e2%80%a2-suite-populaire-espagnole-%e2%80%a2-cancion-excerpt/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Track 5: Manuel de Falla/arr. Maréchal • Suite Populaire Espagnole • Polo (excerpt)</title>
		<link>http://revelmusic.org/2011/08/track-5-manuel-de-fallaarr-marechal-%e2%80%a2-suite-populaire-espagnole-%e2%80%a2-polo-excerpt/</link>
		<comments>http://revelmusic.org/2011/08/track-5-manuel-de-fallaarr-marechal-%e2%80%a2-suite-populaire-espagnole-%e2%80%a2-polo-excerpt/#comments</comments>
		<pubDate>Thu, 25 Aug 2011 20:48:36 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[CD]]></category>

		<guid isPermaLink="false">http://revelmusic.org/blog/?p=482</guid>
		<description><![CDATA[“Short, but definitely not sweet: this is the enraged shriek of a woman scorned. Boy is she mad! You can’t miss it.” –Joel Becktell, from the REVEL CD Program Notes Photo of Carla and Joel by Nathan Russell (www.nathanrussellphotography.com). Greengate Farms, Austin, Texas.]]></description>
			<content:encoded><![CDATA[<p>“Short, but definitely not sweet: this is the enraged shriek of a woman scorned. Boy is she mad! You can’t miss it.” –Joel Becktell, from the REVEL CD Program Notes</p>
<p><em>Photo of Carla and Joel by Nathan Russell (www.nathanrussellphotography.com). Greengate Farms, Austin, Texas.</em></p>
]]></content:encoded>
			<wfw:commentRss>http://revelmusic.org/2011/08/track-5-manuel-de-fallaarr-marechal-%e2%80%a2-suite-populaire-espagnole-%e2%80%a2-polo-excerpt/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Track 6: Manuel de Falla/arr. Maréchal • Suite Populaire Espagnole • Asturiana (excerpt)</title>
		<link>http://revelmusic.org/2011/08/track-6-manuel-de-fallaarr-marechal-%e2%80%a2-suite-populaire-espagnole-%e2%80%a2-asturiana-excerpt/</link>
		<comments>http://revelmusic.org/2011/08/track-6-manuel-de-fallaarr-marechal-%e2%80%a2-suite-populaire-espagnole-%e2%80%a2-asturiana-excerpt/#comments</comments>
		<pubDate>Thu, 25 Aug 2011 20:48:11 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[CD]]></category>

		<guid isPermaLink="false">http://revelmusic.org/blog/?p=480</guid>
		<description><![CDATA[“Falla here returns to the gentle, embracing, deeply touching universe of gentle sympathy that we first visited in Nana. Someone is feeling forlorn, and can’t find comfort among people. So he turns to nature&#8230;” –Joel Becktell, from the REVEL CD Program Notes Photo: Carla at The Church House, Austin, Texas.]]></description>
			<content:encoded><![CDATA[<p>“Falla here returns to the gentle, embracing, deeply touching universe of gentle sympathy that we first visited in Nana. Someone is feeling forlorn, and can’t find comfort among people. So he turns to nature&#8230;” –Joel Becktell, from the REVEL CD Program Notes</p>
<p><em>Photo: Carla at The Church House, Austin, Texas.</em></p>
]]></content:encoded>
			<wfw:commentRss>http://revelmusic.org/2011/08/track-6-manuel-de-fallaarr-marechal-%e2%80%a2-suite-populaire-espagnole-%e2%80%a2-asturiana-excerpt/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Track 7: Manuel de Falla/arr. Maréchal • Suite Populaire Espagnole • Jota (excerpt)</title>
		<link>http://revelmusic.org/2011/08/track-7-manuel-de-fallaarr-marechal-%e2%80%a2-suite-populaire-espagnole-%e2%80%a2-jota-excerpt/</link>
		<comments>http://revelmusic.org/2011/08/track-7-manuel-de-fallaarr-marechal-%e2%80%a2-suite-populaire-espagnole-%e2%80%a2-jota-excerpt/#comments</comments>
		<pubDate>Thu, 25 Aug 2011 20:47:43 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[CD]]></category>

		<guid isPermaLink="false">http://revelmusic.org/blog/?p=478</guid>
		<description><![CDATA[“Depicted in this song are two young lovers, completely besotted, who have met clandestinely at the girl’s window at night. It’s the classic balcony scene, but it’s obvious that this one has a happy ending, no matter how nervous the lovers are&#8230;” –Joel Becktell, from the REVEL CD Program Notes Photo: Keith Gary and Carla...]]></description>
			<content:encoded><![CDATA[<p>“Depicted in this song are two young lovers, completely besotted, who have met clandestinely at the girl’s window at night. It’s the classic balcony scene, but it’s obvious that this one has a happy ending, no matter how nervous the lovers are&#8230;” –Joel Becktell, from the REVEL CD Program Notes</p>
<p><em>Photo: Keith Gary and Carla in the control room at Blue Rock.</em></p>
]]></content:encoded>
			<wfw:commentRss>http://revelmusic.org/2011/08/track-7-manuel-de-fallaarr-marechal-%e2%80%a2-suite-populaire-espagnole-%e2%80%a2-jota-excerpt/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>Track 8: Sergei Rachmaninoff • Sonata in G Minor for Cello and Piano, Op. 19 • I. Lento &#8211; Allegro moderato &#8211; Moderato (excerpt)</title>
		<link>http://revelmusic.org/2011/08/track-8-sergei-rachmaninoff-%e2%80%a2-sonata-in-g-minor-for-cello-and-piano-op-19-%e2%80%a2-i-lento-allegro-moderato-moderato-excerpt/</link>
		<comments>http://revelmusic.org/2011/08/track-8-sergei-rachmaninoff-%e2%80%a2-sonata-in-g-minor-for-cello-and-piano-op-19-%e2%80%a2-i-lento-allegro-moderato-moderato-excerpt/#comments</comments>
		<pubDate>Thu, 25 Aug 2011 20:46:49 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[CD]]></category>

		<guid isPermaLink="false">http://revelmusic.org/blog/?p=476</guid>
		<description><![CDATA[“Rachmaninoff produced very little chamber music, and somehow this work remains relatively obscure despite the fact that to know it is to love it. One of the most common reactions from people who hear it for the first time is along the lines of “How could this amazing piece not be fabulously popular!?” –Joel Becktell,...]]></description>
			<content:encoded><![CDATA[<p>“Rachmaninoff produced very little chamber music, and somehow this work remains relatively obscure despite the fact that to know it is to love it. One of the most common reactions from people who hear it for the first time is along the lines of “How could this amazing piece not be fabulously popular!?” –Joel Becktell, from the REVEL CD Program Notes</p>
<p><em>Photo: Keith Gary wearing his prescription shades in the control room at Blue Rock.</em></p>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
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		<title>Track 9: Sergei Rachmaninoff • Sonata in G Minor for Cello and Piano, Op. 19 • II. Allegro scherzando (excerpt)</title>
		<link>http://revelmusic.org/2011/08/track-9-sergei-rachmaninoff-%e2%80%a2-sonata-in-g-minor-for-cello-and-piano-op-19-%e2%80%a2-ii-allegro-scherzando-excerpt/</link>
		<comments>http://revelmusic.org/2011/08/track-9-sergei-rachmaninoff-%e2%80%a2-sonata-in-g-minor-for-cello-and-piano-op-19-%e2%80%a2-ii-allegro-scherzando-excerpt/#comments</comments>
		<pubDate>Thu, 25 Aug 2011 20:45:33 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[CD]]></category>

		<guid isPermaLink="false">http://revelmusic.org/blog/?p=472</guid>
		<description><![CDATA[“&#8230;Not surprisingly, this Sonata has a virtuosic piano part. Rachmaninoff was one of the 20th century’s epic pianists, a player with a range that encompassed textures from delicate to massive, and moods from gloomy to ecstatic&#8230;” –Joel Becktell, from the REVEL CD Program Notes Photo by Patti Aldridge. Carla at the Aldridge REVEL IN THE...]]></description>
			<content:encoded><![CDATA[<p>“&#8230;Not surprisingly, this Sonata has a virtuosic piano part. Rachmaninoff was one of the 20th century’s epic pianists, a player with a range that encompassed textures from delicate to massive, and moods from gloomy to ecstatic&#8230;” –Joel Becktell, from the REVEL CD Program Notes</p>
<p><em>Photo by Patti Aldridge. Carla at the Aldridge REVEL IN THE HOUSE Steinway.</em></p>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
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		<title>Track 10: Sergei Rachmaninoff • Sonata in G Minor for Cello and Piano, Op. 19 • III. Andante (excerpt)</title>
		<link>http://revelmusic.org/2011/08/track-10-sergei-rachmaninoff-%e2%80%a2-sonata-in-g-minor-for-cello-and-piano-op-19-%e2%80%a2-iii-andante-excerpt/</link>
		<comments>http://revelmusic.org/2011/08/track-10-sergei-rachmaninoff-%e2%80%a2-sonata-in-g-minor-for-cello-and-piano-op-19-%e2%80%a2-iii-andante-excerpt/#comments</comments>
		<pubDate>Thu, 25 Aug 2011 20:45:07 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[CD]]></category>

		<guid isPermaLink="false">http://revelmusic.org/blog/?p=470</guid>
		<description><![CDATA[“Rachmaninoff approached musical performance – and composition – with an unusual notion regarding pacing and expression. He felt that any work, no matter its length and scope, had a single dramatic moment that was the goal of all that came before it, the dramatic and musical raison d’être of a piece, and that a proper...]]></description>
			<content:encoded><![CDATA[<p>“Rachmaninoff approached musical performance – and composition – with an unusual notion regarding pacing and expression. He felt that any work, no matter its length and scope, had a single dramatic moment that was the goal of all that came before it, the dramatic and musical raison d’être of a piece, and that a proper interpretation was one that made this clear to the listeners&#8230;” –Joel Becktell, from the REVEL CD Program Notes</p>
<p><em>Photo: Carla and Joel in the recording studio at Blue Rock.</em></p>
]]></content:encoded>
			<wfw:commentRss>http://revelmusic.org/2011/08/track-10-sergei-rachmaninoff-%e2%80%a2-sonata-in-g-minor-for-cello-and-piano-op-19-%e2%80%a2-iii-andante-excerpt/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>Track 11: Sergei Rachmaninoff • Sonata in G Minor for Cello and Piano, Op. 19 • IV. Allegro mosso &#8211; Moderato &#8211; Vivace (excerpt)</title>
		<link>http://revelmusic.org/2011/08/track-11-sergei-rachmaninoff-%e2%80%a2-sonata-in-g-minor-for-cello-and-piano-op-19-%e2%80%a2-iv-allegro-mosso-moderato-vivace-excerpt/</link>
		<comments>http://revelmusic.org/2011/08/track-11-sergei-rachmaninoff-%e2%80%a2-sonata-in-g-minor-for-cello-and-piano-op-19-%e2%80%a2-iv-allegro-mosso-moderato-vivace-excerpt/#comments</comments>
		<pubDate>Thu, 25 Aug 2011 20:44:33 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[CD]]></category>

		<guid isPermaLink="false">http://revelmusic.org/blog/?p=468</guid>
		<description><![CDATA[“&#8230;I think that if a performance includes enough color and dynamic range, enough expressive intent, the true expansive qualities of the piece become clear. It’s equally clear to me that this particular piece expresses something quite specific; it’s something of a tone poem in four movements with an inferable dramatic program&#8230;” –Joel Becktell, from the...]]></description>
			<content:encoded><![CDATA[<p>“&#8230;I think that if a performance includes enough color and dynamic range, enough expressive intent, the true expansive qualities of the piece become clear. It’s equally clear to me that this particular piece expresses something quite specific; it’s something of a tone poem in four movements with an inferable dramatic program&#8230;” –Joel Becktell, from the REVEL CD Program Notes</p>
<p><em>Photo: In the control room at Blue Rock. Left to right: Carla, Andy Murphy, Joel, Keith Gary.</em></p>
]]></content:encoded>
			<wfw:commentRss>http://revelmusic.org/2011/08/track-11-sergei-rachmaninoff-%e2%80%a2-sonata-in-g-minor-for-cello-and-piano-op-19-%e2%80%a2-iv-allegro-mosso-moderato-vivace-excerpt/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>Track 12: Joseph Kosma/arr. Becktell/McElhaney • Autumn Leaves (excerpt)</title>
		<link>http://revelmusic.org/2011/08/track-12-joseph-kosmaarr-becktellmcelhaney-%e2%80%a2-autumn-leaves-excerpt/</link>
		<comments>http://revelmusic.org/2011/08/track-12-joseph-kosmaarr-becktellmcelhaney-%e2%80%a2-autumn-leaves-excerpt/#comments</comments>
		<pubDate>Thu, 25 Aug 2011 20:44:01 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[CD]]></category>

		<guid isPermaLink="false">http://revelmusic.org/blog/?p=466</guid>
		<description><![CDATA[“&#8230;Of course, the song is not really about leaves or autumn, but about reminiscence and lost love. It is the quintessential nostalgic love song, and while the genre is not generally considered “seasonal” in any way, autumn, by dint of this classic, now seems to have its own theme song.” –Joel Becktell, from the REVEL...]]></description>
			<content:encoded><![CDATA[<p>“&#8230;Of course, the song is not really about leaves or autumn, but about reminiscence and lost love. It is the quintessential nostalgic love song, and while the genre is not generally considered “seasonal” in any way, autumn, by dint of this classic, now seems to have its own theme song.” –Joel Becktell, from the REVEL CD Program Notes</p>
<p><em>Photo: The audience listens to REVEL at The Church House, Austin, Texas.</em></p>
]]></content:encoded>
			<wfw:commentRss>http://revelmusic.org/2011/08/track-12-joseph-kosmaarr-becktellmcelhaney-%e2%80%a2-autumn-leaves-excerpt/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>Ravel Habanera</title>
		<link>http://revelmusic.org/2011/08/ravel-habanera-excerpt/</link>
		<comments>http://revelmusic.org/2011/08/ravel-habanera-excerpt/#comments</comments>
		<pubDate>Thu, 25 Aug 2011 15:44:11 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Media]]></category>
		<category><![CDATA[Music]]></category>

		<guid isPermaLink="false">http://revelmusic.org/blog/?p=350</guid>
		<description><![CDATA[“The rather clinical title belies the piece’s sensual tone world, which evokes a languid, sultry afternoon. A Habanera was originally a dance, and not an altogether reputable one&#8230;” –Joel Becktell, from the REVEL CD Program Notes Photo of Joel and Carla by Nathan Russell. In the farm house at Greengate Farms, Austin, Texas.]]></description>
			<content:encoded><![CDATA[<p>“The rather clinical title belies the piece’s sensual tone world, which evokes a languid, sultry afternoon. A Habanera was originally a dance, and not an altogether reputable one&#8230;” –Joel Becktell, from the REVEL CD Program Notes</p>
<p><em>Photo of Joel and Carla by <a href="http://www.nathanrussellphotography.com" title="Nathan Russell Photography" target="_blank">Nathan Russell</a>. In the farm house at Greengate Farms, Austin, Texas.</em></p>
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		<title>Rachmaninoff Mov&#8217;t 4</title>
		<link>http://revelmusic.org/2011/08/rachmaninoff-movt-4-excerpt-3/</link>
		<comments>http://revelmusic.org/2011/08/rachmaninoff-movt-4-excerpt-3/#comments</comments>
		<pubDate>Thu, 25 Aug 2011 15:42:58 +0000</pubDate>
		<dc:creator>admin</dc:creator>
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		<guid isPermaLink="false">http://revelmusic.org/blog/?p=346</guid>
		<description><![CDATA[“&#8230;I think that if a performance includes enough color and dynamic range, enough expressive intent, the true expansive qualities of the piece become clear. It’s equally clear to me that this particular piece expresses something quite specific; it’s something of a tone poem in four movements with an inferable dramatic program&#8230;” –Joel Becktell, from the...]]></description>
			<content:encoded><![CDATA[<p>“&#8230;I think that if a performance includes enough color and dynamic range, enough expressive intent, the true expansive qualities of the piece become clear. It’s equally clear to me that this particular piece expresses something quite specific; it’s something of a tone poem in four movements with an inferable dramatic program&#8230;” –Joel Becktell, from the REVEL CD Program Notes</p>
<p><em>Photo: In the control room at Blue Rock. Left to right: Carla, Andy Murphy, Joel, Keith Gary.</em></p>
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		<title>Rachmaninoff Mov&#8217;t 3</title>
		<link>http://revelmusic.org/2011/08/rachmaninoff-movt-3-excerpt/</link>
		<comments>http://revelmusic.org/2011/08/rachmaninoff-movt-3-excerpt/#comments</comments>
		<pubDate>Thu, 25 Aug 2011 15:41:58 +0000</pubDate>
		<dc:creator>admin</dc:creator>
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		<guid isPermaLink="false">http://revelmusic.org/blog/?p=343</guid>
		<description><![CDATA[“Rachmaninoff approached musical performance – and composition – with an unusual notion regarding pacing and expression. He felt that any work, no matter its length and scope, had a single dramatic moment that was the goal of all that came before it, the dramatic and musical raison d’être of a piece, and that a proper...]]></description>
			<content:encoded><![CDATA[<p>“Rachmaninoff approached musical performance – and composition – with an unusual notion regarding pacing and expression. He felt that any work, no matter its length and scope, had a single dramatic moment that was the goal of all that came before it, the dramatic and musical raison d’être of a piece, and that a proper interpretation was one that made this clear to the listeners&#8230;” –Joel Becktell, from the REVEL CD Program Notes</p>
<p><em>Photo: Carla and Joel in the recording studio at Blue Rock.</em></p>
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		<title>Rachmaninoff Mov&#8217;t 2</title>
		<link>http://revelmusic.org/2011/08/rachmaninoff-movt-2-excerpt/</link>
		<comments>http://revelmusic.org/2011/08/rachmaninoff-movt-2-excerpt/#comments</comments>
		<pubDate>Thu, 25 Aug 2011 15:41:09 +0000</pubDate>
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		<guid isPermaLink="false">http://revelmusic.org/blog/?p=340</guid>
		<description><![CDATA[“&#8230;Not surprisingly, this Sonata has a virtuosic piano part. Rachmaninoff was one of the 20th century’s epic pianists, a player with a range that encompassed textures from delicate to massive, and moods from gloomy to ecstatic&#8230;” –Joel Becktell, from the REVEL CD Program Notes Photo by Patti Aldridge. Carla at the Aldridge REVEL IN THE...]]></description>
			<content:encoded><![CDATA[<p>“&#8230;Not surprisingly, this Sonata has a virtuosic piano part. Rachmaninoff was one of the 20th century’s epic pianists, a player with a range that encompassed textures from delicate to massive, and moods from gloomy to ecstatic&#8230;” –Joel Becktell, from the REVEL CD Program Notes</p>
<p><em>Photo by Patti Aldridge. Carla at the Aldridge REVEL IN THE HOUSE Steinway.</em></p>
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		<title>Rachmaninoff Mov&#8217;t 1</title>
		<link>http://revelmusic.org/2011/08/rachmaninoff-movt-1-excerpt/</link>
		<comments>http://revelmusic.org/2011/08/rachmaninoff-movt-1-excerpt/#comments</comments>
		<pubDate>Thu, 25 Aug 2011 15:40:09 +0000</pubDate>
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		<guid isPermaLink="false">http://revelmusic.org/blog/?p=337</guid>
		<description><![CDATA[“Rachmaninoff produced very little chamber music, and somehow this work remains relatively obscure despite the fact that to know it is to love it. One of the most common reactions from people who hear it for the first time is along the lines of “How could this amazing piece not be fabulously popular!?” –Joel Becktell,...]]></description>
			<content:encoded><![CDATA[<p>“Rachmaninoff produced very little chamber music, and somehow this work remains relatively obscure despite the fact that to know it is to love it. One of the most common reactions from people who hear it for the first time is along the lines of “How could this amazing piece not be fabulously popular!?” –Joel Becktell, from the REVEL CD Program Notes</p>
<p><em>Photo: Keith Gary wearing his prescription shades in the control room at Blue Rock.</em></p>
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		<title>Manuel de Falla Polo</title>
		<link>http://revelmusic.org/2011/08/manuel-de-falla-polo-excerpt/</link>
		<comments>http://revelmusic.org/2011/08/manuel-de-falla-polo-excerpt/#comments</comments>
		<pubDate>Thu, 25 Aug 2011 15:34:19 +0000</pubDate>
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		<guid isPermaLink="false">http://revelmusic.org/blog/?p=333</guid>
		<description><![CDATA[“Short, but definitely not sweet: this is the enraged shriek of a woman scorned. Boy is she mad! You can’t miss it.” –Joel Becktell, from the REVEL CD Program Notes Photo of Carla and Joel by Nathan Russell (www.nathanrussellphotography.com). Greengate Farms, Austin, Texas.]]></description>
			<content:encoded><![CDATA[<p>“Short, but definitely not sweet: this is the enraged shriek of a woman scorned. Boy is she mad! You can’t miss it.” –Joel Becktell, from the REVEL CD Program Notes</p>
<p><em>Photo of Carla and Joel by Nathan Russell (www.nathanrussellphotography.com). Greengate Farms, Austin, Texas.</em></p>
]]></content:encoded>
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		<title>Manuel de Falla Nana</title>
		<link>http://revelmusic.org/2011/08/manuel-de-falla-nana-excerpt-1/</link>
		<comments>http://revelmusic.org/2011/08/manuel-de-falla-nana-excerpt-1/#comments</comments>
		<pubDate>Thu, 25 Aug 2011 15:33:40 +0000</pubDate>
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		<guid isPermaLink="false">http://revelmusic.org/blog/?p=330</guid>
		<description><![CDATA[“This is the saddest lullaby I have ever heard. I often wondered why, with a text that consists entirely of the murmured endearments of a mother putting her baby to sleep, it should be tinged by tragedy. The answer appears where so many answers do: in the music&#8230;” –Joel Becktell, from the REVEL CD Program...]]></description>
			<content:encoded><![CDATA[<p>“This is the saddest lullaby I have ever heard. I often wondered why, with a text that consists entirely of the murmured endearments of a mother putting her baby to sleep, it should be tinged by tragedy. The answer appears where so many answers do: in the music&#8230;” –Joel Becktell, from the REVEL CD Program Notes</p>
<p><em>Photo: An atmospheric REVEL moment at The Church House, Austin, Texas.</em></p>
]]></content:encoded>
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		<title>Manuel de Falla Jota</title>
		<link>http://revelmusic.org/2011/08/manuel-de-falla-jota-excerpt-1/</link>
		<comments>http://revelmusic.org/2011/08/manuel-de-falla-jota-excerpt-1/#comments</comments>
		<pubDate>Thu, 25 Aug 2011 15:32:23 +0000</pubDate>
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		<guid isPermaLink="false">http://revelmusic.org/blog/?p=327</guid>
		<description><![CDATA[“Depicted in this song are two young lovers, completely besotted, who have met clandestinely at the girl’s window at night. It’s the classic balcony scene, but it’s obvious that this one has a happy ending, no matter how nervous the lovers are&#8230;” –Joel Becktell, from the REVEL CD Program Notes Photo: Keith Gary and Carla...]]></description>
			<content:encoded><![CDATA[<p>“Depicted in this song are two young lovers, completely besotted, who have met clandestinely at the girl’s window at night. It’s the classic balcony scene, but it’s obvious that this one has a happy ending, no matter how nervous the lovers are&#8230;” –Joel Becktell, from the REVEL CD Program Notes</p>
<p><em>Photo: Keith Gary and Carla in the control room at Blue Rock.</em></p>
]]></content:encoded>
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